Ebook , by Alex C. Ewing
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, by Alex C. Ewing
Ebook , by Alex C. Ewing
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Product details
File Size: 5072 KB
Print Length: 385 pages
Page Numbers Source ISBN: 0813033764
Publisher: University Press of Florida (September 27, 2009)
Publication Date: September 27, 2009
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00R4WWWG2
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Amazon Best Sellers Rank:
#1,151,154 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Up front, I'm an insider. The author is my cousin, the subject my aunt.I was only a distant and very junior spectator to some of the events recounted in the book.One reason for writing this review is that I, like hundreds of the members of American Ballet Theatre (ABT) during the forty years described, was the beneficiary of Lucia Chase's extraordinary kindness and generosity. This is a way of publicly expressing my thanks to her.But Lucia Chase was many things besides being kind and generous. She was passionate and determined, often to the point of hair-tearing obstinacy.The book is a must read for anyone interested in American ballet.For today's balletomanes accustomed to having five important companies in New York and dozens elsewhere across the country, the book describes the painful process of arriving there. ABT was the pioneer. Its birth and survival were a saga. When it was launched in the 1940's, the U.S. was a wasteland in terms of ballet, the only offerings being sporadic visits by foreign companies.The hard grit business of creating a ballet public in the U.S. meant years of gruelling bus tours between modest hotels, low salaries, inadequate theatres and perpetual financial insecurity. Only ABT did this.The book is beautifully crafted and perfectly edited. It reads like a thriller.
Fascinating
I really enjoyed this book because my cousin danced with American Ballet Theater. I enjoyed learning about the history, how it was founded and the struggles of its existence. Too bad it didn't mention the pizza party I hosted for the troop in my apartment when they visited and performed at my school, The University of Missouri in 1968. That was a really fun night.
Interesting book about the history of ballet in America
A beautifully written history of how one woman, Lucia Chase, by her incredible will, love and perseverence brought the American Ballet Theater to what today is one of the finest ballet companies in the world. Written by her son, you see the strengths, sorrows, and indomitable will of this amazing woman.
A must-read for lovers of dance. The story of an amazing woman, and how she ran America's greatest ballet company through thick and thin for nearly 40 years.
You may be skeptical about this book, fearing it will be a scissor-and-paste affair of yellowing clippings, stale press-book biographies, ballet synopses and tiresome chronologies or, worse, a saccharine hagiography by a devoted son praising St. Lucia.All such notions are dispelled a few pages in. It's a great story compellingly told and a damn good "read."Ewing has avoided many pitfalls in its construction and telling and spent many years in research. It's an honest and evenhanded an account of his twin and inseparable subjects - Lucia Chase and American Ballet Theatre - and it's vividly and exuberantly written.There have been some picture histories of ABT, and a number of autobiographies by dancers have touched ABT's story but often only as it affected them.Ewing gives us the whole story, as seen through the 40-year involvement of Miss Chase as dreamer, dancer, benefactor and driving force behind the often imperiled troupe's rise to one of the world's top dance companies.We are very fortunate to have such an important story told so well by someone who was there through it all, if only in knee pants during ABT's earliest years.Yet one achievement of the book is how Ewing has reconsidered his youthful impressions from a detached, adult point of view. As a former manager of a major dance company, Ewing is a doubly qualified critic of his mother's limitations.These include her lapses in running the business side of the company, for which she had no feel, and perpetually having to rescue ABT from extinction with her personal fortune.And he is to be commended for the delicate way he has intertwined his family history without unduly imposing on the narrative.Ewing's portraits of choreographers Tudor, Robbins, de Mille and others as well as ABT's great dancers are quite skillfully done and with a great eye for detail.The book brings many great moments to life. The accounts of the opening nights of "Pillar of Fire," "Fancy Free," "Fall River Legend, "Harbinger" and other major ballets share the excitement and triumph.Moreover, Ewing has imbued his writing with the warm sense of "family" the ABT company shared in its golden if often imperiled years and which seems to have gone as others took over and ballet turned into a business.Finally, "Bravura!" renders a three-dimensional, unvarnished picture of Lucia Chase and captures the passion for dance she and the company instilled in millions when ballet was foreign and unknown in America ... and for which she willingly sacrificed so much."Bravura!" earns a standing ovation from lovers of ballet and theater.
Bravo to "Bravura!" This book, page by page, is a transfixing history of Lucia Chase and The American Ballet Theatre. Detailed, but nuanced, Alex Ewing presents an honest story that for dancers and dance lovers everywhere is both familiar and surprising. Beautifully written, Alex Ewing has an eye of an historian and a heart of a dancer.
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